Review: Henry Johnson’s Jazz Expressions

Full Disclosure: I am not a paid blogger, but TrueFire does exchange access to their lessons to me for a review per month.

Oh man, this is a solid block of lessons aimed straight for what I think of as the core of jazz guitar. I did not have to know his history and reputation or look at Henry’s bio to know that he’s heavily influenced by Wes Montgomery, early George Benson, and Kenny Burrell. TrueFire’s Jazz Expressions lesson pack is an old school, master explains some of the things a jazz player needs to know approach to teaching the craft. It’s more a demonstration and playing tips than theory intensive study of jazz guitar.

That said, there is some significant theory behind what he’s demonstrating, it’s just not presented as that. The biggest example being he demonstrates how to cover the neck by what he calls Areas of Activity. The theory not discussed is he’s doing the drop 2 chord voicings in major, minor, and dominant in their four inversions, and playing melodies based on the related scale fingering in that area… he’s just not saying things like drop 2 voicing and CAGED patterns, he’s more interested in phrases and melodies.

The only thing that then suffers from this approach is that the transcriptions often stop before he gets to the more interesting ideas. I understand transcriptions are time consuming, but when Henry takes a chorus each of the areas, and the transcription stops at two choruses, there are more ideas being covered up the neck. A couple of Areas of Activity being demonstrated are being neglected this way.

Perhaps it’s better for the student to do some ear training, but there are times I wished I had the Tab.

After covering practical ideas, he then demonstrates the ideas through some jazz blues and rhythm changes examples. As a blues guy who wishes he sounds better on standards… I’m still struggling with rhythm changes. I’m still not meeting my own standards, so I’m still working on this (and a few other teachers approaches, like Cheryl Bailey’s studies, also on TrueFire.)

Overall, Henry Johnson’s Jazz Expressions is an outstanding, no nonsense approach to old school Wes style jazz guitar.

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