Review: Frank Vignola’s Jazzin’ the Blues Vol. 1 & Vol.2

Full Disclosure: I am not a paid blogger, but TrueFire does exchange access to their lessons to me for a review per month.

I am known around town as a blues player, and I’ve been to music school and studied under some greats; so I love injecting some jazz traits to my electric blues solos. So, I wanted to take a look at Frank Vignola’s Jazzin’ the Blues Vol.1 for this month’s review. While I was working with it during the month, Jazzing the Blues Vol.2 was released. So, let’s take a look at both volumes. 

As with nearly all TrueFire lesson groups, you get video of Frank playing his examples and tab. These lessons feature Soundslice, so that a student can set a variable speed, follow the tab playback which is really handy for playing along with fast or tricky passages. You see it exactly as played from half speed to faster than performed.

This is a focus on adding “jazzy” ideas to blues lead lines on guitar. Frank Vignola is a master player and has a basic format for both volumes: focus on one idea at a time and play two different choruses of solos that illustrate that idea. Each is melodic and state the idea well, and don’t get particularly challenging to play for an intermediate player until getting into Volume 2. 

My only complaint to his approach and teaching style in these volumes is his speaking style can come across as a grade school instructor telling a student that “very important new word” when going to each new idea, like major 2nds, or the Super Locrian or whole tone scale; but if he is approaching these concepts as new, there are no additional materials demonstrating what a major 2nd is and where it is on the neck, or any grids or descriptions of new scales. There is some description of the ideas during the Breakdown sections, but seem explained as though the player who previously hears the words “Super Locrian scale” then should know how that concept relates to the licks being demonstrated. 

If the student has a strong grasp of theory, they may chuckle at the vocal delivery but get a wealth of knowledge and some great ideas for playing. A student  not familiar with the concepts should have access to some sort of supplemental information covering the concepts to fully “get” the information presented. 

The concepts in Volume 1 cover using the major 6th, the diminished scale, the bebop scale, the whole tone scale, octaves, the major 2nd, the Mixolydian mode, and the Super Locrian mode. Volume 2 covers the major 9, (this time relating to the other chord tones and within each chord, opposed to the major 2nd in Vol.1) the chromatic scale, double stops, the Dorian mode, implying the ii V, neighboring tones, and the harmonic minor scale. If the student gets the concepts beyond just the riffs… this is a BIG bag of tricks for blues playing.

The only other tiny quibble is that the intro invokes names like Robben Ford, Larry Carlton, and Oz Noy… yet these licks don’t invoke the playing of any of them, more stock “Soul Jazz” riffs. THIS IS NOT A BAD THING… especially if you can internalize the concepts more than the licks from the lesson plan (and make your own sound)… which again raises my stressing for having better access to the concepts for folks not familiar.

So, if I’m in any way critical, it’s only because there’s really, really good stuff here to be had.

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